![]() In the well-heeled third arrondissement, just a few hundred metres from Boulevard Voltaire in the tattier 11th, where the Bataclan is, it is one of a million effortlessly smart Parisian bars that might have been targeted that evening.įilmed in autumn 2021 in the “highly electric” atmosphere during the trials of the attackers, the film – particularly with its introspective focus – melded into this collective process of mourning and reflection. The 47-year-old – wearing a blue T-shirt with an insignia reading “Flesh”, and gazing from beneath a long brown fringe – is sitting in the back of a cafe that is one of her habitual writing spots near her home. The French title Revoir Paris gets it: starring Benedetta’s Virginie Efira as Mia, a radio translator caught in the crossfire in a cafe, the film focuses on how she reconstructs her memories of that night and with them her inner harmony, as well as that of the city of lights. Instead, it joins films such as You Will Not Have My Hate and One Year, One Night to wade through the aftermath. Unlike the recent Jean Dujardin film November, it completely ignores religion and largely passes over the bloodshed. It is a touch of human absurdity that resurfaces in Paris Memories, her new film, about the 13 November attacks. ![]() ![]() What would whoever found it make of his poor kitchen hygiene? Later, he told her about a random thought he had while waiting to die: that he had left a half-eaten yoghurt open in the fridge. She had to wait to hear that he made it out alive. Her younger brother, Jérémie, was hiding in a back room at the Bataclan concert hall, and forbade her from texting him in case it gave away his location. Even from the safety of her home, the film-maker Alice Winocour’s experience of the Paris terror attacks in November 2015 was terrifying.
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